By D. Downey
This e-book exhibits simply how heavily past due nineteenth-century American women's ghost tales engaged with items comparable to photos, mourning paraphernalia, wallpaper and humble family furnishings. that includes uncanny stories from the large urban to the small city and the empty prairie, it bargains a brand new viewpoint on an outdated style.
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Extra info for American Women’s Ghost Stories in the Gilded Age
She used to lie for hours on the grass there, with her arms flung over her head, gazing dreamily at the fluttering leaves above her. The pearls – which she always wore – some coral ornaments, and a handful of amber beads were her only dower, but her caprices were the insolent and extravagant caprices of a queen [ ... ’61 The archetype of the extravagant vampire woman, who surfaces again in later chapters, she is outwardly beautiful but lacking in proper motherly or wifely qualities, desired and desiring; and, in Davis’s story, is ultimately triumphant.
23 Indeed, women’s devotion to family life was, for Emerson, spontaneous, natural and fundamental to their nature, a calling to which women willingly sacrificed even ‘the highest beauty’, since The life of the affections is primary to them, so that there is usually no employment or career which they will not with their own applause and that of society quit for a suitable marriage. And they give entirely to their affections, set their whole fortune on the die, lose themselves 22 American Women’s Ghost Stories in the Gilded Age eagerly in the glory of their husbands and children.
This figurative spectralization intensifies as the memory of the beautiful, framed woman distracts her visitor, Keith, who had been on the point of pressing his suit. 60 Instead, the voluptuous ghost, who appears more real to him, and who he is convinced is being held prisoner in the house, lures him into a bedroom, where her portrait hangs. Finding him there, after what seems to be a sexual encounter with the specter, Félice’s grandmother, who had feared precisely this series of events, tells him how the woman, Hélène, was in fact Félice’s neglectful and potentially violent mother, who had had an affair with Keith’s own father, causing an irreconcilable rift between the two husbands, once close friends.
American Women’s Ghost Stories in the Gilded Age by D. Downey